Greatest Guide To asparagusproject песни
Greatest Guide To asparagusproject песни
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I've seen things like this before. There's some tiny nuance that the sax player is somehow not getting right. Although you and I can't hear what it is, it may be the very thing that will make the record a hit.
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So I went out with her for a couple of months but I didn't stop seeing Helen. I thought I was being smart – I had gone from being a total loser to being a two-timer.
The song has been covered by a number of artists since its release, including Brian McKnight, Seether, Roger Williams, Kenny G and Julio Iglesias, among others. A contemporary pop song with R&B and soul influences, it features a prominent saxophone riff composed by Michael and played by Steve Gregory. It became a commercial success, topping record charts in at least ten countries and selling about 6 million copies worldwide—2 million of them in the United States.
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Although you and I can’t hear what it is, it may be the very thing that will make the record a hit. The success of pop records is so ephemeral, so unbelievably unpredictable, we just can’t take the risk of being impatient. But this sax player's not going to get it, is he!"
Steve waited and then discovered that the solo wasn’t that easy to play in the written key, as his old Selmer Mark VI tenor didn’t have a top F# key. So, the engineer slowed the tape down so that Steve could record the solo a semitone lower than intended.
"When I was twelve, thirteen, I used to have to chaperone my sister, who was two years older, to an ice rink at Queensway in London," he explained. "There was a girl there with long blonde hair whose name was Jane.
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The saxophone riff, played by Steve Gregory, became one of the most recognizable and beloved parts of the song, adding a haunting, melancholic feel to the track.
@phoog Yes, the composer and the artist can of course have nothing to do with each other. I just find this song curious since it was first released as a Wham! song on "Make it Big" and then as a George Michael single despite being basically the same!
I said 'it's great. Jerry's done a great job on it', and for the first time since we'd started I was blind to what was going on because the song was already two and a half years old and I just did not have a clue about where else I could take it. Eventually I just thought, 'sod this. I'm going to go in and do it as if it had never been done before with the musicians we normally use and see what happens.' The track was much better because I was relaxed and I think that our musicians did a much better job than the Muscle Shoals section.[29] After hiring and firing several other sax players, for which the BBC characterized as struggling to play all the notes with "the right amount of fluidity and still breathe,"[30] Michael eventually heard what he was looking for from Steve Gregory.[31]
It marked a turning point in Michael’s career, showcasing his potential as a serious solo artist beyond the upbeat, youthful image of Wham!.
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Although George Michael co-wrote the song with his Wham! partner Andrew Ridgeley when they were just 17, it stands out as a much more mature and introspective piece than their earlier pop hits.